Abstract
The chapter focuses on an array of Chinese film festivals and dedicated
programs that take place in the West, with examples primarily from
France, the UK, and the USA. Adapted from a longer study that explores
the determinants of global circulation of cinematic material as related
to film festivals, Iordanova’s chapter argues that it is the stakeholder
configurations, the context of reception, and the projected/desired
relationship outcomes that ultimately shape the nature of the festival
and the material that will be screened at it. It offers a categorization
that distinguishes between different types of festivals depending on
the interests of major stakeholders: in this case, represented by the
cultural diplomacy festival, the “corrective” festival, and the business
card exchange festival.
Original language | English |
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Title of host publication | Chinese film festivals |
Subtitle of host publication | sites of translation |
Editors | Chris Berry, Luke Robinson |
Place of Publication | New York |
Publisher | Palgrave Macmillan |
Chapter | 11 |
Pages | 217-235 |
Number of pages | 19 |
ISBN (Electronic) | 9781137550163 |
ISBN (Print) | 9781137554802 |
DOIs | |
Publication status | Published - 16 Feb 2017 |
Event | AHRC-funded network on Chinese FIlm Festivals - UNiversity of Hong Kong, Hong Kong, Hong Kong Duration: 1 Apr 2014 → 2 Apr 2014 |
Publication series
Name | Framing film festivals |
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Workshop
Workshop | AHRC-funded network on Chinese FIlm Festivals |
---|---|
Country/Territory | Hong Kong |
City | Hong Kong |
Period | 1/04/14 → 2/04/14 |
Keywords
- Film festivals
- Film industry
- Soft power
- Concurrent event
- Dress code
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Dina Iordanova
- Film Studies - Emeritus Professor
- Centre for Minorities Research
Person: Emeritus Professor