Abstract
Nikolai Chernyshevskii (1828-1889), a major nineteenth-century writer and thinker, continues to play in important role in contemporary Russian culture as a subject of artistic performances and political discussions. This article argues that the current regenerative engagement with Chernyshevskii’s legacy was preceded by another period of intense fascination with the writer and his work, specifically in late Soviet conceptualist art. It examines representations of Chernyshevskii in different media created in the period from 1980 to 1991: sots-art paintings by Vitalii Komar and Aleksandr Melamid, essays and performances by Moscow Conceptualists like Dmitrii Prigov and ‘proto-postmodernist’ early texts of Viktor Pelevin.
Original language | English |
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Pages (from-to) | 268-294 |
Number of pages | 27 |
Journal | Slavonic and East European Review |
Volume | 100 |
Issue number | 2 |
Early online date | 31 Oct 2022 |
DOIs | |
Publication status | Published - 3 Nov 2022 |
Keywords
- Post-soviet
- Conceptualism
- Realism
- Socialist-realism
- Sots-art
- Prigov
- Pelevin
- Komar and Melamid