'Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)'

Nina Romi Rolland, Edlira Mandis

Research output: Contribution to journalSpecial issuepeer-review

Original languageEnglish
Pages (from-to)55-72
JournalEuropean Drama and Performance Studies, Consuming Female Performers (1850s-1950s),
Issue number2
Publication statusPublished - 2015

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