TY - GEN
T1 - Traveling arts x HCI sketchbook
T2 - exploring the intersection between artistic expression and human-computer interaction
AU - Lewis, Makayla
AU - Sturdee, Miriam
AU - Lengyel, Denise
AU - Toselli, Mauro
AU - Miers, John
AU - Owen, Violet
AU - Davis, Josh Urban
AU - Gaudl, Swen E
AU - Xiao, Lanxi
AU - Priego, Ernesto
AU - Snooks, Kim
AU - Turmo Vidal, Laia
AU - Blevis, Eli
AU - Privato, Nicola
AU - Piedade, Patricia
AU - Ford, Corey
AU - Bryan-Kinns, Nick
AU - Severes, Beatriz
AU - Kaipainen, Kirsikka
AU - Claisse, Caroline
AU - Huq, Raksanda Mehnaz
AU - Eladhari, Mirjam Palosaari
AU - Troisi, Anna
AU - Henriques, Ana O
AU - Grek, Ar
AU - McMurchy, Gareth
AU - LC, Ray
AU - Nabil, Sara
AU - Jardine, Jacinta
AU - Collins, Robert
AU - Vlasov, Andrey
AU - Knight, Yana
AU - Cremaschi, Michele
AU - Carderelli-Gronau, Silvia
AU - Núñez-Pacheco, Claudia
AU - Reyes-Cruz, Gisela
AU - Riviere, Jean-Philippe
N1 - Funding: Corey Ford is supported by the EPSRC UKRI Centre for Doctoral Training in Artificial Intelligence and Music (AIM) [EP/S022694/1]; Caro Claisse is supported by the EPSRC UKRI INTUIT project [EP/R033900/2]; Center for Digital Citizens [EP/T022582/1]; Ana O. Henriques is supported by the European project DCitizens (GA 101079116) and the FCT project UIDB/50009/2020; Laia Turmo Vidal is supported by Sweden’s Digital Futures Research Center through a postdoctoral fellowship (nr 81501); Language and Learning Transitions of New Arrival Youth’ (Nichols, Caldwell & Yoshida, 2019) was funded by a Smolicz Foundation grant, administered by the Multicultural Education and Languages Committee of South Australia; Jacinta Jardine is supported by the Irish Research Council (EBPPG/2020/53); Claudia Núñez Pacheco’s research is funded by the Wallenberg AI, Autonomous Systems and Software Program’ – Humanities and Society (WASP-HS) funded by the Marianne and Marcus Wallenberg Foundation; The Conspiracy Capitaliser: This work is part of the DCODE project. The project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 955990; Beatriz Severes is receiving funding from the Portuguese Foundation for Science and Technology (FCT) under grant 2023.05034.BD; Michele Cremaschi’s work was supported by Sineglossa and the National Recovery and Resilience Plan (NRRP), - Mission 4, Component 2 - Investment 3.3 - call for tender No. 352 of 09/04/2022 of the Italian Ministry of University and Research, funded by the European Commission under the NextGeneration EU programme; Patricia Piedade is supported by the Portuguese Recovery and Resilience Program (PRR), IAPMEI/ANI/FCT under Agenda C645022399-00000057 (eGamesLab), through the scholarship BL195/2023-IST-ID, the European project DCitizens (GA 101079116) and the FCT project UIDB/50009/2020.
PY - 2024/5/11
Y1 - 2024/5/11
N2 - When thinking of arts in HCI, one might be tempted to keep one’s eyes focused on prominent realms such as sketching for UX Design and design probes from participants. A closer look shows that practices go beyond this, involving a variety of arts-based expressions by researchers, the researched and third parties, e.g. graphic facilitators. Inspired by Toselli’s Sketchnote Army Travelling Sketchbook, researchers and artists contributed to a ’Travelling Sketchbook for Arts in HCI’, showcasing their arts-based practice in HCI. The resulting sketchbook explores the intersection between HCI and artistic expression, illuminating what it means to use art in HCI. It shows the breadth of Arts in HCI, illustrating the many fruitful possibilities for extending existing research and dissemination methods in HCI. It also calls into question current practices, which often do not recognise the significance of artist attribution, and, in turn, advocates for equal authorship between principal researchers and contributing artists.
AB - When thinking of arts in HCI, one might be tempted to keep one’s eyes focused on prominent realms such as sketching for UX Design and design probes from participants. A closer look shows that practices go beyond this, involving a variety of arts-based expressions by researchers, the researched and third parties, e.g. graphic facilitators. Inspired by Toselli’s Sketchnote Army Travelling Sketchbook, researchers and artists contributed to a ’Travelling Sketchbook for Arts in HCI’, showcasing their arts-based practice in HCI. The resulting sketchbook explores the intersection between HCI and artistic expression, illuminating what it means to use art in HCI. It shows the breadth of Arts in HCI, illustrating the many fruitful possibilities for extending existing research and dissemination methods in HCI. It also calls into question current practices, which often do not recognise the significance of artist attribution, and, in turn, advocates for equal authorship between principal researchers and contributing artists.
KW - Sketching
KW - Arts
KW - Sketchbooks
KW - Video
KW - Animation
KW - Making
KW - Drawing
KW - Painting
KW - Digital art
U2 - 10.1145/3613905.3644069
DO - 10.1145/3613905.3644069
M3 - Conference contribution
SN - 9798400703317
SP - 1
EP - 14
BT - CHI EA '24: extended abstracts of the CHI conference on human factors in computing systems
PB - ACM
CY - New York
ER -