Abstract
This essay explores the representation and function of the Italian man in the 1950s "tough-guy" film Hell Drivers, focusing on the dynamic interaction between Italianness and Britishness in the film's construction of a new antihero.
Original language | English |
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Pages (from-to) | 44-56 |
Number of pages | 13 |
Journal | Cinema Journal |
Volume | 44 |
Issue number | 4 |
DOIs | |
Publication status | Published - Jul 2005 |