Transgressive female sexuality and desire in contemporary Colombian cinema: Hermida’s La luciérnaga and Rodríguez’s Señoritas

Karol Valderrama-Burgos*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

The contemporary Colombian films made by women La luciérnaga (Hermida, 2016) and Señoritas (Rodríguez, 2013) subvert patriarchal gender norms of classic Colombian film narratology through their representation of lesbianism, female sexual self-exploration, and orgasms. The cinematic techniques of these filmmakers construct a specific view of female pleasure, emphasizing the plurality and visibility in cinema of female sexuality and desire. An interdisciplinary approach to the analysis of specific sequences suggests that the aesthetics and visual strategies of these women filmmakers evince pioneering female characters and subjectivities that challenge the traditional gaze on female bodies. Their films offer liberating representations that deconstruct the dominant basis of heteronormativity that has historically characterized Colombian narrative cinema.
Original languageEnglish
Pages (from-to)108-122
Number of pages15
JournalLatin American Perspectives
Volume48
Issue number2
DOIs
Publication statusPublished - 24 Mar 2021

Keywords

  • Columbian cinema
  • Female desire
  • Female sexuality
  • Women filmmakers
  • La luciérnaga
  • Señoritas

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