Abstract
[Editor’s Note: Composer and musicologist Jane Pettegree uses her fascinating contribution to our series on artists’ creative processes to introduce readers to a new way of thinking about and making music. She describes how an asynchronous collaborative composition can bring voices together ‘in the absence of real-time co-presence’, offering an alternative when musicians cannot share a physical space, then describes how the asynchronous composition she is creating for the In/break exhibition will weave improvised, home-recorded sounds into conventional music and ‘the vibrant pre-verbal sounds of the natural world’.]
| Original language | English |
|---|---|
| Pages | online |
| Specialist publication | Transpositions |
| Publication status | Published - 5 Mar 2021 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 10 Reduced Inequalities
Keywords
- Soundscape
- Theology and the arts
- Environment
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