@article{419a8c80a7724ed4ada857b934db055c,
title = "Transept in/break artist reflection: sea roar and sound break - a reflection on composition in a time of silence",
abstract = "[Editor{\textquoteright}s Note: Composer and musicologist Jane Pettegree uses her fascinating contribution to our series on artists{\textquoteright} creative processes to introduce readers to a new way of thinking about and making music. She describes how an asynchronous collaborative composition can bring voices together {\textquoteleft}in the absence of real-time co-presence{\textquoteright}, offering an alternative when musicians cannot share a physical space, then describes how the asynchronous composition she is creating for the In/break exhibition will weave improvised, home-recorded sounds into conventional music and {\textquoteleft}the vibrant pre-verbal sounds of the natural world{\textquoteright}.]",
keywords = "Soundscape, Theology and the arts, Environment",
author = "Pettegree, {Jane Karen}",
note = "Jane Pettegree has a research background in English Renaissance drama, a parallel past life as a professional singer specialising in early and contemporary music, and is an Associate Lecturer in music history and ethnomusicology at the University of St Andrews Music Centre. She was appointed choir director at St Andrews Episcopal Church in September 2020 in the middle of the COVID19 pandemic, having sung with this group for some years. This year{\textquoteright}s music-making has been isolated and asynchronous; in the current lock-down circumstances, basic software editing has taken the place of real-time choral conducting. ",
year = "2021",
month = mar,
day = "5",
language = "English",
pages = "online",
journal = "Transpositions",
}