Abstract
A newly identified source reveals that Tintoretto’s Paradise in the Musée du Louvre, Paris, was on display in Palazzo Bevilacqua, Verona, by March 1584, calling into question its traditional association with the artist’s vast painting of the subject in Palazzo Ducale, Venice (1588–92). In Verona it became a symbol of the important role of music in the cultural patronage of Mario Bevilacqua.
| Original language | English |
|---|---|
| Pages (from-to) | 570-578 |
| Number of pages | 9 |
| Journal | Burlington Magazine |
| Volume | 162 |
| Issue number | 1408 |
| Publication status | Published - 1 Jul 2020 |
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Dive into the research topics of 'Tintoretto's Louvre 'Paradise' in Palazzo Bevilacqua, Verona'. Together they form a unique fingerprint.Profiles
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Laura Moretti
- School of Art History - Head of the School of Art History, Professor of Art and Architectural History
- St Andrews Centre for the Receptions of Antiquity
Person: Academic