Abstract
In chapter 3 Maria Corrigan and Isabel Seguí discuss landmark Soviet and Cuban cases in order to uncover the painstaking archival, curatorial, and managerial work that vouchsafes our histories of global cinemas, exploring the labour of the widows of famous filmmakers. The different case studies demonstrate tendencies in the widows’ work, showing how their diverse professional backgrounds, personalities, and geopolitical contexts foster different kinds of interventions. The strategic aim of this chapter is to propose the figure of the widow/manager of a cinematic legacy as a helpful category to analyse the gendered division of labour in cinematic ecologies.
Original language | English |
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Title of host publication | Stretching the archives |
Subtitle of host publication | toward a global women's film heritage |
Editors | Lizelle Bisschoff, Ana Grgić, Stefanie Van de Peer |
Place of Publication | Berlin |
Publisher | Archive Books |
Chapter | 3 |
Pages | 125-143 |
Number of pages | 18 |
ISBN (Print) | 9783949973697 |
Publication status | Published - 1 Jan 2025 |