TY - JOUR
T1 - The Roar of The Crowd
T2 - Urban Noise and Anti-Noise in Silent Cinema
AU - Hanlon, Dennis Joseph
PY - 2009/6
Y1 - 2009/6
N2 - The Crowd uses “sound-suspense images”—a technique unique to the late silent period—to critically represent the urban noisescape. This essay details the technological, ideological, and aesthetic developments that made these images possible, and it considers the codification of Hollywood sound practices that soon made them obsolete.
AB - The Crowd uses “sound-suspense images”—a technique unique to the late silent period—to critically represent the urban noisescape. This essay details the technological, ideological, and aesthetic developments that made these images possible, and it considers the codification of Hollywood sound practices that soon made them obsolete.
UR - http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R04163664:0
UR - http://go.galegroup.com/ps/i.do?id=GALE%7CA201720161&v=2.1&u=stand&it=r&p=EAIM&sw=w
M3 - Article
SN - 0027-1276
VL - 42
SP - 73
EP - 88
JO - Mosaic: an interdisciplinary critical journal
JF - Mosaic: an interdisciplinary critical journal
IS - 2
ER -