Abstract
The Middle Ages continue to provide an important touchstone for the way
the modern West presents itself and its relationship with the rest of
the globe. This volume brings together leading scholars of literature
and history, together with musicians, novelists, librarians and museum
curators in order to present exciting, up-to-date perspectives on how
and why the Middle Ages continue to matter in the twentieth and
twenty-first centuries. Presented here, their essays represent a unique
dialogue between scholars and practitioners of ‘medievalism’. Framed by
an introductory essay on the broad history of the continuing evolution
of the idea of ‘The Middle Ages’ from the fourteenth century to the
present day, chapters deal with subjects as diverse as: the use of Old
Norse sagas by Republican deniers of climate change; the way figures
like the Irish hero Cú Chulainn and St Patrick were used to give
legitimacy to political affiliations during the Ulster ‘Troubles’; the
use of the Middle Ages in films by Pasolini and Tarantino; the adoption
of the ‘Green Man’ motif in popular culture; Lady Gaga’s manipulation of
medieval iconography in her music videos; the translation of medieval
poetry from manuscript to digital media; and the problem of writing
national history free from the ‘toxic medievalism’ of the nineteenth and
twentieth centuries.
| Original language | English |
|---|---|
| Place of Publication | Oxford |
| Publisher | Oxford University Press |
| Number of pages | 384 |
| ISBN (Electronic) | 9780191860027 |
| ISBN (Print) | 9780197266144 |
| DOIs | |
| Publication status | Published - 28 Sept 2017 |
Publication series
| Name | Proceedings of the British Academy |
|---|---|
| Volume | 208 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 13 Climate Action
Keywords
- Medievalism
- Middle Ages
- Reception
- Periodisation
- Modernity
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