Abstract
This article explores the peculiar intermeshing of continuity and discontinuity in Russian culture through the prism of Alexander Solzhenitsyn’s essay, 'Obrazovanshchina' ('The Smatterers'). Written in 1974 for the collective volume Iz-pod glyb (From Under the Rubble), Solzhenitsyn drew on arguments advanced by contributors to the famous pre-revolutionary work, Vekhi (Landmarks, 1909), both as a polemical tool to distance himself from his immediate contemporary rivals and as a template in his bid to establish a new spiritual elite in Brezhnev’s Soviet Russia. This article suggests that if one intention of Solzhenitsyn’s essay was to declare an irrevocable break with the culture of the pre-revolutionary intelligentsia tradition, the discursive tools he used to do this (intertextual devices, ad hominem polemics, selective historical and ideological narratives) remained firmly anchored within that tradition.
Original language | English |
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Pages (from-to) | 29-50 |
Number of pages | 22 |
Journal | Russian Literature |
Volume | 130 |
Early online date | 19 May 2022 |
DOIs | |
Publication status | Published - 1 Jun 2022 |
Keywords
- Solzhenitsyn
- Iz-pod glyb
- Vekhi
- Neo-Westernizers
- Russophiles
- History