Abstract
This paper has two principal aims. It proposes a new reading of Michel Butor's "Portrait de l'artiste en jeune singe" (1967) based on centre-periphery structures. Drawing on other work by Butor, it will be suggested that the centre-periphery dialectic in his work may be traced back to nineteenth-century German Realist poetics.
| Original language | English |
|---|---|
| Publication status | Published - Apr 2013 |
| Event | AGS - Cardiff, United Kingdom Duration: 3 Apr 2013 → 5 Apr 2013 |
Conference
| Conference | AGS |
|---|---|
| Country/Territory | United Kingdom |
| City | Cardiff |
| Period | 3/04/13 → 5/04/13 |
Keywords
- Butor Realism Centre Periphery Decentring
Fingerprint
Dive into the research topics of 'The German Backwaters of French Decentrings: German Poetic Realism and the French Nouveau Roman'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver