Abstract
This essay explores how sculptors in Britain responded to American Minimalism in the late 1960s and 1970s.
| Original language | English |
|---|---|
| Title of host publication | Modern British Sculpture |
| Editors | Penelope Curtis, Keith Wilson |
| Place of Publication | London |
| Publisher | Royal Academy |
| Pages | 202-206 |
| Number of pages | 5 |
| Publication status | Published - Jan 2011 |