Abstract
This essay focuses on Safia Farhat (Tunisian, 1924–2004), professor of decorative arts and sole woman artist in the École de Tunis, a group of Tunisian, French, and Italian painters who increasingly turned to craft-based mediums in their explorations of material and heritage.
| Original language | English |
|---|---|
| Type | Essay |
| Media of output | Online resource/website |
| Publisher | The Museum of Modern Art |
| Place of Publication | Online |
| Publication status | Published - 26 Jan 2022 |