Abstract
The chapter examines the role of the Paduan actor-director-playwright Angelo Beolco (Ruzante), c. 1496 - 1542, in moving Italian acting styles in the Italian Renaissance away from the essentially rhetorical towards a more balanced blend of verbal and body language.
| Original language | English |
|---|---|
| Title of host publication | European Theatre Performance Practice, 1580-1750 |
| Editors | Robert Henke, Margaret Katritzky |
| Place of Publication | London |
| Publisher | Routledge Taylor & Francis Group |
| Pages | 1-44 |
| Number of pages | 44 |
| DOIs | |
| Publication status | Published - 1 Nov 2014 |