Abstract
In 1992, Quentin Crisp appeared on cinema screens as Elizabeth I in Sally Potter’s 'Orlando'; the following year, he provided the ‘Alternative Queen’s Message’ on Channel 4 television on Christmas Day, going head-to-head with Elizabeth II. This essay revisits this cultural moment, examining the significance of Crisp’s performances of ‘queenliness’. Crisp’s performance as Elizabeth I is compared with other cinematic depictions of the monarch (Cate Blanchett, Bette Davis, Judi Dench). Potter has argued that there is a neat ‘fit’ between Crisp and Elizabeth I that justifies his casting, a suggestion that will be unpacked through a comparison of their biographies. 'Orlando' is also compared with Virginia Woolf’s source text, and the film’s content related to some of her other writings.
| Original language | English |
|---|---|
| Title of host publication | The British monarchy on screen |
| Editors | Mandy Merck |
| Place of Publication | Manchester |
| Publisher | Manchester University Press |
| Chapter | 7 |
| Pages | 155-178 |
| Number of pages | 24 |
| ISBN (Print) | 9780719099564 |
| DOIs | |
| Publication status | Published - 1 Feb 2016 |
Keywords
- Orlando
- Quentin Crisp
- Sally Potter
- Film theory
- Queer theory
- Virginia Woolf