Abstract
In 1992, Quentin Crisp appeared on cinema screens as Elizabeth I in Sally Potter’s 'Orlando'; the following year, he provided the ‘Alternative Queen’s Message’ on Channel 4 television on Christmas Day, going head-to-head with Elizabeth II. This essay revisits this cultural moment, examining the significance of Crisp’s performances of ‘queenliness’. Crisp’s performance as Elizabeth I is compared with other cinematic depictions of the monarch (Cate Blanchett, Bette Davis, Judi Dench). Potter has argued that there is a neat ‘fit’ between Crisp and Elizabeth I that justifies his casting, a suggestion that will be unpacked through a comparison of their biographies. 'Orlando' is also compared with Virginia Woolf’s source text, and the film’s content related to some of her other writings.
Original language | English |
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Title of host publication | The British monarchy on screen |
Editors | Mandy Merck |
Place of Publication | Manchester |
Publisher | Manchester University Press |
Chapter | 7 |
Pages | 155-178 |
Number of pages | 24 |
ISBN (Print) | 9780719099564 |
DOIs | |
Publication status | Published - 1 Feb 2016 |
Keywords
- Orlando
- Quentin Crisp
- Sally Potter
- Film theory
- Queer theory
- Virginia Woolf