Pop cinema

Glyn Davis; Tom Day

doi:10.1515/9781474497923

Pop cinema

Glyn Davis (Editor), Tom Day (Editor)

Research output: Book/Report › Book

Abstract

This edited collection of essays is the first book devoted to Pop Art and its relationship to cinema. The contributions explore the ways in which themes and aesthetics associated with Pop Art have been reworked, expanded, or jettisoned by experimental filmmakers around the world. Examples are primarily drawn from the 1960s and 1970s; a global approach is adopted to enable examination of the ways in which Pop approaches were reshaped in non-Western contexts.

Original language	English
Place of Publication	Edinburgh
Publisher	Edinburgh University Press
Number of pages	266
ISBN (Electronic)	9781474497923
ISBN (Print)	9781474497909
DOIs	https://doi.org/10.1515/9781474497923
Publication status	Published - 30 Oct 2024

Keywords

Pop art
Pop cinema
Experimental cinema
Avant-garde film
Global cinema

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10.1515/9781474497923

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Pop cinema

Abstract

Keywords

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Always crashing in the same car

Introduction: towards a pop cinema

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