Photography, zoonosis and epistemic suspension after the end of epidemics

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Abstract

Through the study of the photographic production accompanying the Chinese-Russian plague expedition to South Siberia and Mongolia in the summer of 1911, this chapter examines the way in which photography after the end of epidemics is implicated in processes of epistemic uncertainty and doubt. The chapter examines photographs contained in two unpublished albums compiled by China’s founding epidemiologist, Wu Liande. Arguing that these both portray and foster uncertainty and doubt over Wu’s hitherto proclaimed thesis that Siberian marmots were the origin of the devastating plague epidemic in Manchuria between October 1910 and April 1911, the chapter considers the role of visual representations in epidemiological reasoning in periods following the end of epidemic outbreaks, often experienced as inter-epidemic intervals.
Original languageEnglish
Title of host publicationThe anthropology of epidemics
EditorsAnn H. Kelly, Frédéric Keck, Christos Lynteris
Place of PublicationAbingdon, Oxon
PublisherRoutledge Taylor & Francis Group
Chapter5
Pages84-101
Number of pages18
ISBN (Electronic)9780429461897
ISBN (Print)9781138616677, 9780367581947
DOIs
Publication statusPublished - 1 Feb 2019

Publication series

NameRoutledge studies in health and medical anthropology

Fingerprint

Dive into the research topics of 'Photography, zoonosis and epistemic suspension after the end of epidemics'. Together they form a unique fingerprint.

Cite this