Abstract
This paper considers a hitherto unrecognised historical and political subtext beneath the morality of the Danse Macabre mural painted in English-occupied Paris in 1424-25
| Original language | English |
|---|---|
| Pages (from-to) | 131-162 |
| Journal | Journal of the British Archaeological Association |
| Volume | 161 |
| Publication status | Published - 2008 |