TY - JOUR
T1 - Monumental Misdeeds
T2 - Rewriting French History and Identity with Claude Izner and Alix de Saint-André
AU - Milne, Lorna Catherine
PY - 2010/11
Y1 - 2010/11
N2 - In the context of contemporary French debates opposing history and memory, both frequently related to representations of national identity, this essay compares two popular novels by metropolitan French women, each centred on the symbolic power of a famous Paris monument. Strong plots, humour and attractive characters engage the reader in these alternative explorations of French identity, its ‘lieux de mémoire’ and the different narratives that sustain and inflect it. Claude Izner’s Mystère rue des Saints-Pères (2003), set in 1889, places the Eiffel Tower at the centre of a strikingly cosmopolitan society. Alix de Saint-André’s Papa est au Panthéon (2003) questions the patriarchal structures of conventional commemoration and suggests that identity may be based on mistaken assumptions about the past. Both novels portray the historical roots of contemporary identity as inclusively multi-cultural, and undermine neat distinctions between history and memory. Further distinguished from current political and intellectual debates by their enjoyable light-heartedness, these texts make a thoughtful contribution to the range of narratives of French identity.
AB - In the context of contemporary French debates opposing history and memory, both frequently related to representations of national identity, this essay compares two popular novels by metropolitan French women, each centred on the symbolic power of a famous Paris monument. Strong plots, humour and attractive characters engage the reader in these alternative explorations of French identity, its ‘lieux de mémoire’ and the different narratives that sustain and inflect it. Claude Izner’s Mystère rue des Saints-Pères (2003), set in 1889, places the Eiffel Tower at the centre of a strikingly cosmopolitan society. Alix de Saint-André’s Papa est au Panthéon (2003) questions the patriarchal structures of conventional commemoration and suggests that identity may be based on mistaken assumptions about the past. Both novels portray the historical roots of contemporary identity as inclusively multi-cultural, and undermine neat distinctions between history and memory. Further distinguished from current political and intellectual debates by their enjoyable light-heartedness, these texts make a thoughtful contribution to the range of narratives of French identity.
KW - French fiction, history, Claude Izner, memory, monuments, national identity, Alix de Saint-André
UR - http://www.scopus.com/inward/record.url?scp=78649685008&partnerID=8YFLogxK
UR - http://frc.sagepub.com/content/21/4/277
U2 - 10.1177/0957155810378586
DO - 10.1177/0957155810378586
M3 - Article
SN - 0957-1558
VL - 21
SP - 277
EP - 285
JO - French Cultural Studies
JF - French Cultural Studies
IS - 4
ER -