Abstract
The first study to texplore the notion of duality at the heart if the theatre of Angelo Beolco (Ruzante), the most significant stage-practitioner of the Italian Renaissance. The chapter focuses on three key dualities: actor-author, materialism-spirituality, real time-fictional time.
| Original language | English |
|---|---|
| Title of host publication | The Tradition of the Actor-Author in Italian Theatre |
| Editors | Donatella Fischer |
| Place of Publication | Oxford |
| Publisher | Legenda |
| Pages | 20-29 |
| Number of pages | 9 |
| ISBN (Print) | 978-1-907975-80-6 |
| Publication status | Published - 1 Oct 2013 |