Abstract
The first study to texplore the notion of duality at the heart if the theatre of Angelo Beolco (Ruzante), the most significant stage-practitioner of the Italian Renaissance. The chapter focuses on three key dualities: actor-author, materialism-spirituality, real time-fictional time.
Original language | English |
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Title of host publication | The Tradition of the Actor-Author in Italian Theatre |
Editors | Donatella Fischer |
Place of Publication | Oxford |
Publisher | Legenda |
Pages | 20-29 |
Number of pages | 9 |
ISBN (Print) | 978-1-907975-80-6 |
Publication status | Published - 1 Oct 2013 |