'Molte cose stanno bene nella penna che nella scena starebben male': Reading between the lines of the surviving Ruzante texts

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

The first study to texplore the notion of duality at the heart if the theatre of Angelo Beolco (Ruzante), the most significant stage-practitioner of the Italian Renaissance. The chapter focuses on three key dualities: actor-author, materialism-spirituality, real time-fictional time.
Original languageEnglish
Title of host publicationThe Tradition of the Actor-Author in Italian Theatre
EditorsDonatella Fischer
Place of PublicationOxford
PublisherLegenda
Pages20-29
Number of pages9
ISBN (Print)978-1-907975-80-6
Publication statusPublished - 1 Oct 2013

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