Abstract
This article analyses the presence and use of photography in Ramón Gómez de la Serna's autobiography Automoribundia (1948) as an essential contribution for understanding the originality of Gómez de la Serna's autobiographical discourse and his general purpose of self-museification.
| Original language | Spanish |
|---|---|
| Pages (from-to) | 275-293 |
| Number of pages | 19 |
| Journal | Bulletin of Hispanic Studies |
| Volume | 90 |
| Issue number | 3 |
| Early online date | 1 Apr 2013 |
| DOIs | |
| Publication status | Published - 2013 |