Abstract
This audiovisual essay aims to highlight and explore colour consultant George Hoyningen-Huene’s foregrounding of neutral shades in his colour designs. It uses a combination of textual and archival analysis to play with the mutability, specificity and range in neutral shades.
| Original language | English |
|---|---|
| Journal | [in]Transition: Journal of Videographic Film and Moving Image Studies |
| Volume | 10 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 21 Aug 2023 |
Keywords
- Colour film
- Film aesthetics
- Colour consultant
- George Hoyningen-Huene
Fingerprint
Dive into the research topics of ''Isn’t that going to be awfully dull and drab?' George Hoyningen-Huene’s use of neutrals'. Together they form a unique fingerprint.Projects
- 2 Finished
-
Lucy Donaldson BA Award: Colouring in the margins: George Hoyningen-Huene’s work in film (1953-1962)
Donaldson, L. F. (PI)
1/07/22 → 31/08/23
Project: Standard
-
Videographic Scholarship: Videographic Scholarship: innovation and collaboration in research practice
Donaldson, L. F. (PI)
1/03/22 → 31/08/22
Project: Standard
-
Approaching the design of Marie Antoinette (Laird's Constraint)
Donaldson, L. F., 11 Nov 2024Research output: Non-textual form › Digital or Visual Products
Open Access -
Audio/visual design (Warr's constraint)
Donaldson, L. F., 11 Nov 2024Research output: Non-textual form › Digital or Visual Products
Open Access -
Kitchen (Grant's constraint)
Donaldson, L. F., 11 Nov 2024Research output: Non-textual form › Digital or Visual Products
Open Access
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver