Abstract
The engravings of the 1796 edition of Les Liaisons dangereuses bear witness to the late eighteenth-century belief in a parallel between amorous and narrative seductions. More than mere interpretations of an intrigue, book engravings also offer a valuable insight into contemporaneous conceptualisations of novel-reading. The series studied here can be interpreted as illustrating the early modern theory that what unites reader and author is indeed a dangerous liaison. By presenting a dialogue between these engravings and eighteenth-century reception theories, I argue that book illustrations can help us understand how narrative seduction was believed to operate during the French Enlightenment.
| Original language | English |
|---|---|
| Pages (from-to) | 1-27 |
| Number of pages | 27 |
| Journal | Journal for Eighteenth-Century Studies |
| Volume | 38 |
| Issue number | 1 |
| Early online date | 29 Apr 2014 |
| DOIs | |
| Publication status | Published - Mar 2015 |
Keywords
- Book illustration
- Libertinism
- Les Liaisons dangereuses
- Reception theory
- Seduction
- Narrative pleasure
- French novel
- Choderlos de Laclos
- Roland Barthes