Illustrating narrative seduction: the example of Choderlos de Laclos's Les Liaisons Dangereuses in the illustrated edition of 1796

Marine Ganofsky*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)

Abstract

The engravings of the 1796 edition of Les Liaisons dangereuses bear witness to the late eighteenth-century belief in a parallel between amorous and narrative seductions. More than mere interpretations of an intrigue, book engravings also offer a valuable insight into contemporaneous conceptualisations of novel-reading. The series studied here can be interpreted as illustrating the early modern theory that what unites reader and author is indeed a dangerous liaison. By presenting a dialogue between these engravings and eighteenth-century reception theories, I argue that book illustrations can help us understand how narrative seduction was believed to operate during the French Enlightenment.

Original languageEnglish
Pages (from-to)1-27
Number of pages27
JournalJournal for Eighteenth-Century Studies
Volume38
Issue number1
Early online date29 Apr 2014
DOIs
Publication statusPublished - Mar 2015

Keywords

  • Book illustration
  • Libertinism
  • Les Liaisons dangereuses
  • Reception theory
  • Seduction
  • Narrative pleasure
  • French novel
  • Choderlos de Laclos
  • Roland Barthes

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