Abstract
This essay provides an overview of the career of US film director Gregg Araki, highlighting auteurist connections between individual titles (stylised mise-en-scene, shoegaze music, representations of teenagers). Particular attention is paid to road movieThe Living End (1992), a key title in the New Queer Cinema movement, and child abuse dramaMysterious Skin (2004), a well-received adaptation of Scott Heim's novel.
| Original language | English |
|---|---|
| Title of host publication | Fifty Contemporary Film Directors |
| Editors | Yvonne Tasker |
| Place of Publication | London and New York |
| Publisher | Routledge Taylor & Francis Group |
| Pages | 38-46 |
| Number of pages | 9 |
| ISBN (Print) | 978-0-415-55433-6 |
| Publication status | Published - 2011 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 3 Good Health and Well-being -
SDG 16 Peace, Justice and Strong Institutions
Keywords
- Gregg Araki, New Queer Cinema, US independent film, teen cinema
Fingerprint
Dive into the research topics of 'Gregg Araki'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver