TY - GEN
T1 - Exploring canons and cathedrals with Open Virtual Worlds
T2 - Digital Heritage International Congress 2013
AU - Kennedy, Sarah Elizabeth
AU - Fawcett, Richard
AU - Miller, Alan Henry David
AU - Sweetman, Rebecca Jane
AU - Dow, Lisa
AU - Campbell, Anne
AU - Oliver, Iain Angus
AU - McCaffery, John Philip
AU - Allison, Colin
PY - 2013/10
Y1 - 2013/10
N2 - St Andrews Cathedral is located on the East Coast of Scotland. Construction started in 1160 and spanned Romanesque and Gothic architectural styles. It was consecrated in 1318, four years after the battle of Bannockburn in the presence of King Robert I. For several hundred years, the Cathedral was one of the most important religious buildings in Europe and the centre of religious life in Scotland. During the Reformation, John Knox himself lead reformers in divesting the Cathedral of all its finery. Thereafter it fell into disuse and decline. Today the remains hint at its former glory. Here the use of Open Virtual Worlds (OVW) to support new modes of engagement with cultural heritage is presented through the example of St Andrews Cathedral.Open Virtual Worlds offer an extensible collaborative environment for developing historical scenes against which background material and intangible aspects of cultural heritage associated with a site may be explored. They offer the potential to reconstruct within a 3D computer environment both the physical structures of the past and important aspects of the lighting, sounds and lifestyles that once existed within those structures. Bringing together architecture, sculpture, illumination, stained-glass, music, procession and lighting into a scene, which can be explored from multiple spatial perspectives enables holistic appreciations to be developed
AB - St Andrews Cathedral is located on the East Coast of Scotland. Construction started in 1160 and spanned Romanesque and Gothic architectural styles. It was consecrated in 1318, four years after the battle of Bannockburn in the presence of King Robert I. For several hundred years, the Cathedral was one of the most important religious buildings in Europe and the centre of religious life in Scotland. During the Reformation, John Knox himself lead reformers in divesting the Cathedral of all its finery. Thereafter it fell into disuse and decline. Today the remains hint at its former glory. Here the use of Open Virtual Worlds (OVW) to support new modes of engagement with cultural heritage is presented through the example of St Andrews Cathedral.Open Virtual Worlds offer an extensible collaborative environment for developing historical scenes against which background material and intangible aspects of cultural heritage associated with a site may be explored. They offer the potential to reconstruct within a 3D computer environment both the physical structures of the past and important aspects of the lighting, sounds and lifestyles that once existed within those structures. Bringing together architecture, sculpture, illumination, stained-glass, music, procession and lighting into a scene, which can be explored from multiple spatial perspectives enables holistic appreciations to be developed
UR - http://www.digitalheritage2013.org/
UR - http://ieeexplore.ieee.org/xpl/tocresult.jsp?isnumber=6743693
U2 - 10.1109/DigitalHeritage.2013.6744764
DO - 10.1109/DigitalHeritage.2013.6744764
M3 - Conference contribution
SN - 9781479931682
VL - 2
SP - 273
EP - 280
BT - Digital Heritage International Congress (DigitalHeritage), 2013
PB - IEEE
Y2 - 28 October 2013 through 1 November 2013
ER -