@inbook{12147688215a4f339c07c66fb39aefc5,
title = "Christopher Wordsworth{\textquoteright}s Greece: popular topography from the illustrated serial to the gift book",
abstract = "In the decades prior to Greece{\textquoteright}s independence, topographical books were a crucial means for mediating the country{\textquoteright}s landscapes for foreign audiences. Less well known today, however, is the adaptation of these publications as copiously illustrated popular editions after the foundation of the Greek state. As a landmark of British serial publishing which remained in print as a “gift book” from the 1830s to the 1880s, Christopher Wordsworth{\textquoteright}s Greece, Pictorial, Descriptive, and Historical serves as a valuable case study for understanding how earlier books on Greek topography were remarketed and steeped in a new visual idiom for a growing non-specialist audience. Arguably Greece{\textquoteright}s chief innovation to achieve this was the liberal inclusion of sublime and picturesque wood engravings in its letterpress. By examining a selection of the book{\textquoteright}s illustrated landscapes in dialogue with Wordsworth{\textquoteright}s text and reviews in the Victorian press, this chapter interrogates the tension between classical and Modern Greece and academic and popular readings of the country.",
keywords = "Illustration, Victorian, Landscape, Topography, Sublime, Engraving, Picturesque, Philhellenism",
author = "Marshall, {Sebastian Adam}",
year = "2024",
month = sep,
day = "10",
doi = "10.4324/9781003394235-3",
language = "English",
isbn = "9781032495200",
series = "British School at Athens - Modern Greek and Byzantine studies",
publisher = "Routledge Taylor & Francis Group",
pages = "15--31",
editor = "Efterpi Mitsi and Anna Despotopoulou",
booktitle = "Victorians and modern Greece",
address = "United States",
}