Projects per year
Abstract
This article examines the public and private portrayals of the British aristocratic officer Robert James Lindsay, whose reported actions in the first major conflict of the Crimean War, the Battle of the Alma, became the subject of national acclaim in Victorian Britain. Through an analysis of the family’s unpublished correspondence, the author argues that their engagement with the war’s visual materials, including sketches, illustrated newspapers, panoramas, color lithographs, photographs, and popular shows, was integral to their collective effort to manage their own anxieties and maintain the priorities of their social class during their son’s two-year campaign. The family’s affective responses to visual and material culture promoted their collective aristocratic agency as interlocutors of the war’s representations.
Original language | English |
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Pages (from-to) | 86-132 |
Number of pages | 47 |
Journal | Nineteenth-Century Art Worldwide |
Volume | 23 |
Issue number | 2 |
DOIs | |
Publication status | Published - 15 Oct 2024 |
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Dive into the research topics of '"Before the eye and into the heart": the Lindsays of Balcarres and the mediascape of the Crimean War'. Together they form a unique fingerprint.Projects
- 1 Finished
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St Andrews and the Global Networks of: St Andrews and the Global Networks of Early Victorian Photography
Gartlan, L. (PI)
The Paul Mellon Centre for Studies In
1/01/24 → 30/04/24
Project: Fellowship