Abstract
The overarching theme of the exhibition relates to the falseness and the fake of our globalized world, of which contemporary China is only, but nevertheless an essential, part. This was a globalization that Guy Debord theorized towards the end of the last century in his revisiting of the Society of the Spectacle (1967) entitled Comments on the Society of the Spectacle (1988).
| Original language | English |
|---|---|
| Type | Review of art exhibition and private view |
| Media of output | Mediapart online outlet |
| Publisher | Mediapart |
| Place of Publication | Paris |
| ISBN (Electronic) | ISSN 2100-0735 |
| Publication status | Published - 14 Feb 2022 |
Keywords
- Ai Weiwei
- China
- Hong Kong
- Cockroach
- counterfeit
- fake
- détournement