Abstract
This article examines the career of Tommy Steele, Britain's first ‘home-grown’ rock ’n’ roll star. Steele has seldom been accorded much attention by popular music scholars, but his significance as a pioneering rock ’n’ roll musician in Britain should not be overlooked. This article examines the highly distinctive role which Steele played in adapting the brash ‘American’ sounds of rock ’n’ roll for a British audience, and in quelling fears regarding the linkage between the genre and juvenile delinquency. In many respects, Steele's remarkable career provides a very useful lens through which to view distinctive developments in British youth and popular culture during the late 1950s.
| Original language | English |
|---|---|
| Pages (from-to) | 205-225 |
| Journal | Contemporary British History |
| Volume | 25 |
| Issue number | 2 |
| Early online date | 14 Apr 2011 |
| DOIs | |
| Publication status | Published - Jun 2011 |
Keywords
- rock 'n' roll music; post-war Britain; Americanisation; Youth Culture; Popular Culture; National Identity