Description
From 1953-1963, the photographer George Hoyningen-Huene worked as a colour consultant in Hollywood. Most famous for his pioneering work for Paris Vogue and Harpers Bazaar in the 1930s and 1940s, Huene’s move to Hollywood was the result of a long-standing desire to shift his career into filmmaking and his close friendship with director George Cukor. Drawing on archival material held in the George Cukor Collection at the Margaret Herrick library in LA, this paper will situate Huene as a case study for highlighting the significance of social connections in facilitating access to work in film. More particularly, by focusing on the friendship and collaboration of two gay men, both of whom were members of highly influential ‘gay cultural orbits’, to use Thomas Waugh’s phrasing (1996: 105), it will underline the importance of queer artistic cultures to creative labour above and below-the-line in Hollywood. Given that much of the detail of these networks and cultures is embedded in personal correspondence, rather than professional documents, the paper will further consider the close connection between creative labour and intimacy, and the question of how to capture this in academic research.Period | 5 Apr 2024 |
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Event title | 12th BAFTSS Conference: Labour and Screen Media |
Event type | Conference |
Location | Brighton, United KingdomShow on map |
Degree of Recognition | International |
Keywords
- George Hoyningen-Huene
- photography
- film
- colour film
- film aesthetics
- queer history
- archives
Related content
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Prizes
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Sight & Sound best video essays of 2023
Prize: Other distinction
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Sight & Sound Best Video Essays of 2022
Prize: Other distinction
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BAFTSS practice research awards 2023
Prize: Prize (including medals and awards)
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Research output
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The movie business
Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Tracing the threads of influence: George Hoyningen-Huene and Les Girls (1957)
Research output: Contribution to journal › Article › peer-review
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'Isn’t that going to be awfully dull and drab?' George Hoyningen-Huene’s use of neutrals
Research output: Contribution to journal › Article › peer-review
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Activities
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Colouring in the margins: George Hoyningen-Huene’s work in film, 1952-1963
Activity: Talk or presentation types › Presentation
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BAFTSS Colour and Film SIG: Feeling Colour Book Launch
Activity: Talk or presentation types › Invited talk
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Projects